I don’t think that it’s any kind of a secret that Thea Colman is one of my favorite designers. (And I swear that it’s not just because we share a love of cocktails.) So naturally, when I learned that she was looking for knitters to test a new sweater pattern for her, I jumped on the chance. After some back and forth with Thea, I bought six skeins of Harrisville Shetland (from Spun in Ann Arbor; I love that place!) in Garnet and set to work knitting/testing Thea’s new design, Angostura.
Angostura is all kinds of fun. The front and sleeves are simple-just straightforward stockinette. The sleeves made great movie watching knitting back in January. But the back…oh man, the back is where the action is. The back is a lively cable panel that looks far more complex/intimidating than it really is.
The sweater is knit bottom up and then the sleeves and body are joined at the yoke. Thea used saddle sleeves to make everything flow together smoothly. This is one of the best things about this pattern. I was talking to a friend on Skype while working the first saddle, and I was a bit wary of the saddle as I’ve only ever used it for Chartreuse before. However, the directions were clear and easy to follow. In no time, I was back to talking to Laura and barely looking at the pattern.
This was my first time using a Harrisville yarn, and it won’t be my last. Before I started, Thea commented that Harrisville was really going to “pop” the cables, and she was so right. I really love how the yarn looks with those cable. The tweeding of the dye is consistent, and subtle, which allows the cables to really show off.